Here we see a ‘Generic Gazelle’ approach, what seems to be, a clearing. There used to be a city here, and it seems as if the Generic Gazelle also knows this. It cautiously begins sifting through the sonic debris of a dystopian malfunction called ‘Ouroborus’, the previous single from the genre-fluid, non-time travelling, duo ‘Aux Volta’
“challenging, shocking, and ultimately addictive.”
“…embracing chaos without ever losing its sense of purpose”
"plays on repeat with a joyfully unhinged aggression"
"Repetition becomes mutation and chaos becomes language"
“The sound is thick, synthetic, mesmerising.”
“It feels alive, unpredictable, occasionally excessive, but never empty.”
“The beats don’t just repeat - they decay and disintegrate… before rebuilding themselves.”
“Aux Volta creates a work that feels both intellectually ambitious and emotionally resonant.”
“The record is exactly as loud, as dense, and as relentless as it intends to be.”
"Venetian Snares ferocity meets Aphex Twin melody across the Ouroboros loop”
Ouroboros Official MV and single release!🎬🎵
We Pride-ly present the soundtrack to a snake eating it's own tail, to all alchemicsexuals and mono-mythological serpents raise your esoteric flags for Ouroboros drops today 2.6.26 ⭕🐍
Massive thank to CER for creating the mind melting music video, we are worthy not!
Official video by CER dropping 02.06.26
Stay tuned!
Aux Volta is featured Break The Ice: Vol. 2 compiled and released by Delirium Psychosis Productions.
17 tracks of blissful fury & chaos, all proceeds go to ANSWER: Act Now To Stop War and End Racism.
Get hold of this dope comp on Bandcamp and contribute to positive change here > https://deliriumpsychosis.bandcamp.com/album/break-the-ice-volume-2
Official video by CER dropping 02.06.26
Stay tuned!
“… with the insertion of acidic and harsh synthetic sounds present in the melodic layer, resulting in an effect that borders on the terrifying.”
“The track moves like a mutant organism, alternating moments of somber containment with aggressive explosions that tear through the sonic space without warning.”
“This is your next obsession.”
“… blurring the line between electronic music and abrasive rock energy.”
“… shards of noise bent into complex shapes.”
“… unsettling and captivating.”
“This is pure activism and a deeply empowering wake-up call.”
“[Aux Volta] have produced one of the more compelling electronic singles of the year.”
“On “Bad Sector,” Aux Volta proves that electronic music can be a place to let go and a place to think.”
“[Bad Sector]’s tension only thickens, second by second.”
“Bad Sector is dark, unpredictable, and immersive, - a sonic experiment that challenges, shocks, and rewards listeners willing to enter its fractured universe.”
“This track creates a dark and tense atmosphere, showcasing excellent production work where immersive and pulsating electronic textures build a deep and evocative soundscape. The song progresses unpredictably, playing with silences, layers, and changes in intensity that keep the listener constantly on edge.
Furthermore, the use of glitch rhythms and unconventional structures reinforces its experimental nature, while certain aggressive moments provide a contrast that feels almost cinematic. The whole is hypnotic, with a sense of latent danger and a sonic narrative that doesn't follow obvious paths, but captivates with its complexity.”
“With a nocturnal scenic atmosphere that flirts with a cavernous sensory perception, the track explores a hostile, unprecedented, and essentially pure universe. Within an electronic sonic scenography, Bad Sector leads the listener to experience and witness their fears and insecurities, while simultaneously confronting them with their most frivolous curiosities.”
“The sound architecture is fragmented and deliberately abrasive. Layers overlap like intrusive thoughts, distorted textures appear and disappear like signal failures, while the rhythm advances with an almost mechanical posture. Aux Volta works the contrast between control and chaos, creating a landscape that seems to oscillate between lucidity and collapse. There is no easy relief, no clear resolution. Each section reinforces the idea of negative repetition, of cycles that accumulate until they reach saturation.”
“Honestly, it's one of those experimental electronic gems that grabs you by the circuits and doesn't let go. If you're into sounds that twist and mutate, building from eerie midtempo grooves to full-on chaotic bursts, this is your next obsession.”
“As the track develops, the atmosphere becomes heavier and more dramatic. Distorted elements creep further into the mix, blurring the line between electronic music and abrasive rock energy. The structure keeps changing, introducing new rhythmic ideas and bursts of intensity that prevent the track from settling into anything predictable.”
“Beat-driven but far from being dance music, loops and shards of noise bent into complex shapes, Bad Sector is more likely to appeal to fans of David Tibet and Aphex Twin than most, an accretion disc of electronic and industrial elements, stretched and fused into something abstract and cohesive.”
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